Using intricate illustrations supported by spare dialogue in an invented language, Ellis elegantly weaves the tale of several square feet of ground in the insect world as the seasons pass. Multiple story lines intersect: a mysterious plant bursting from the soil, the rise and fall of a spectacular fort, and a caterpillar's quiet then
triumphant metamorphosis into a shimmering moth. The illustrations demand to be pored over, with exquisite attention to detail, from the extravagantly dressed anthropomorphized insects in top hats to the decor of Icky the pill bug's tree-stump home. Much of the book's action occurs on the lower halves of the pages, the ample white space emphasizing the small world of the critters. As the flower and fort grow together and larger animals come into play, the illustrations take up more vertical space until the climax, when the plant blooms and is revealed to be a "gladenboot" (flower) and all of the insects come out to rejoice. As the weather cools, readers are treated to a delightful nighttime spread of the moth finally emerging and flying to a cricket's tune as the decayed flower's seeds dance all around. Though this could nearly work as a wordless book, the invented, sometimes alienlike language seemingly contains real syntax and offers readers the opportunity to puzzle over the meanings of the words and tell the story using their own interpretations. VERDICT This is a title that calls for multiple readings, as there is something new to be discovered each time. Perfect for one-on-one or small group sharing. - Clara Hendricks, Cambridge Public Library, MA
We Don't Eat Our Classmates by Ryan T. Higgins

How Alma Got Her Name by Juana Martinez-Neal
It's said there's a story behind every name and Alma Sofia Esperanza José Pura Candela is surely a moniker worthy of six tales. After complaining that her name is so long that it "never fits," Alma's father shares stories with the girl about the people she's been named after, including a book lover, an artist, and a deeply
spiritual woman, among others. Martinez-Neal, the recipient of the 2018 Pura Belpré Illustrator Award for La Princesa and the Pea , works in print transfers with graphite and colored pencils for these images, limiting her palette to black, charcoal gray, and blushes of color. The round, stylized figure of the girl, dressed in pink striped pants and a white shirt, pops against the sepia pages (reminiscent of old, family photo albums). As Alma's namesakes emerge from the shadows when they are introduced, they and their distinguishing items (books, plants, paintbrushes, etc.) are highlighted in a pale, gray-blue. The softly colored images and curvilinear shapes that embrace the figures evoke a sense of warmth and affection. At the story's end, the only tale readers have not heard is Alma's. "You will make your own story," states her father. VERDICT A beautifully illustrated, tender story to be shared with all children, sure to evoke conversations about their names.—Daryl Grabarek, School Library Journal
spiritual woman, among others. Martinez-Neal, the recipient of the 2018 Pura Belpré Illustrator Award for La Princesa and the Pea , works in print transfers with graphite and colored pencils for these images, limiting her palette to black, charcoal gray, and blushes of color. The round, stylized figure of the girl, dressed in pink striped pants and a white shirt, pops against the sepia pages (reminiscent of old, family photo albums). As Alma's namesakes emerge from the shadows when they are introduced, they and their distinguishing items (books, plants, paintbrushes, etc.) are highlighted in a pale, gray-blue. The softly colored images and curvilinear shapes that embrace the figures evoke a sense of warmth and affection. At the story's end, the only tale readers have not heard is Alma's. "You will make your own story," states her father. VERDICT A beautifully illustrated, tender story to be shared with all children, sure to evoke conversations about their names.—Daryl Grabarek, School Library Journal
I Want My Hat Back by Jon Klassen
The bear’s hat is gone, and he wants it back. Patiently and politely, he asks the animals he comes across, one by one, whether they have seen it. Each animal says no, some more elaborately than
others. But just as the bear begins to despond, a deer comes by and asks a simple question that sparks the bear’s memory and renews his search with a vengeance. Told completely in dialogue, this delicious take on the classic repetitive tale plays out in sly illustrations laced with visual humor-- and winks at the reader with a wry irreverence that will have kids of all ages thrilled to be in on the joke. - Amazon Editor
A Different Pond by Bao Phi and Thi Bui
This gorgeous tale about a father/son fishing trip shows the interconnectedness of family and the inexorable way that generational history impacts the present. The story is told from the boy's perspective, as his father wakes him long before dawn to go fishing. Although the child enjoys the outing as a special adventure with his dad, they are fishing for food, not sport, and they must be home in time for the father to leave for work. The quiet time together provides opportunities for the man to talk about his past
life fishing with his brother in a different pond in Vietnam, long ago before the war and before coming to America. After they return home, triumphant, with a bucket of fish, the boy contemplates his role as the youngest in the family—no longer a baby—and even though he is sad that both his parents have to work, he knows there will be a happy, love-filled family dinner later that night. Bui's cinematic illustrations make use of panels and weighted lines, evoking the perfect background or facial expression for each piece of text. The text placement and composition of the illustrations allow each occurrence or observation to be its own distinct event, stringing together the small, discrete moments that make up a life, a memory, and a history into a cohesive whole. VERDICT This gentle coming-of-age story is filled with loving, important aspects of the immigrant experience and is a first purchase for all libraries.—Anna Haase Krueger, Ramsey County Library, MN
The Crossover by Kwame Alexander
Twins Josh and Jordan are junior high basketball stars, thanks in large part to the coaching of their dad, a former professional baller who was forced to quit playing for health reasons, and the firm, but loving support of their assistant-principal mom.
Josh, better known as Filthy McNasty, earned his nickname for his enviable skills on the court: "…when Filthy gets hot/He has a SLAMMERIFIC SHOT." In this novel in verse, the brothers begin moving apart from each other for the first time. Jordan starts dating the "pulchritudinous" Miss Sweet Tea, and Josh has a tough time keeping his jealousy and feelings of abandonment in control. Alexander's poems vary from the pulsing, aggressive beats of a basketball game ("My shot is F L O W I N G, Flying, fluttering…. ringaling and SWINGALING/Swish. Game/over") to the more introspective musings of a child struggling into adolescence ("Sit beside JB at dinner. He moves./Tell him a joke. He doesn't even smile….Say I'm sorry/but he won't listen"). Despite his immaturity, Josh is a likable, funny, and authentic character. Underscoring the sports and the fraternal tension is a portrait of a family that truly loves and supports one another. Alexander has crafted a story that vibrates with energy and heart and begs to be read aloud. A slam dunk.—Kiera Parrott, School Library Journal.
The Book of Boy by Catherine Gilbert Murdock

Strongheart: Wonder Dog of the Silver Screen by Candance Fleming and Eric Rohmann
When movie director Larry Trimble travels to Berlin searching for his next big star--a dog!--he finds Etzel, a fierce, highly trained three-year-old German shepherd police dog. Larry sees past the snarls and growls and brings Etzel back to Hollywood, where he is

In Darkling Wood by Emma Caroll

Podkin One Ear by Kieran Larwood

No comments:
Post a Comment